A member of the KU faculty since 2002, Professor Mechele Leon teaches theatre history, dramatic theory, acting, and directing at the undergraduate and graduate levels. She is the chair of the Department of Theatre.
Dr. Leon's area of specialty is the history of French theatre, with a focus on cultural politics and national identity. Her book, Molière, the French Revolution, and the Theatrical Afterlife (University of Iowa Press, 2009) is winner of the Barnard Hewitt Award for Outstanding Research in Theatre History. Her current research explores 20th-century French cultural diplomacy through the work of French language theatre in the United States. Her articles and reviews have been published in Theatre Journal, French Historical Studies, Comparative Drama, and European Studies. She is Co-editor and Administrative Director of the Journal of Dramatic Theory and Criticism.
Plays and musicals she has directed for the University Theatre include Shakespeare in Hollywood, Man Is Man, Shiloh Rules, The Maids, George Dandin, and How to Succeed in Business Without Really Trying.
She is the recipient of a National Endowment for the Humanities faculty fellowship, a Bourse Chateaubriand from the French Government, and grants from the Hall Center for the Humanities at KU, The French Institute in Washington D.C., and the Mario Einaudi Center for International Studies at Cornell University. Living in France from 1996-2001, she taught theatre history, theory, and acting at the American University of Paris and held a post as lecturer in English at the University of Paris.
Dr. Leon has professional experience as a performer and an arts administrator. A graduate of the American Musical and Dramatic Academy in New York, her acting experience includes the National Shakespeare Company, the Manhattan Ensemble, and the Hangar Theatre. She was formerly business manager for Theatreworks/USA in New York City. She served on the Board of Directors for the Kansas City Fringe Festival. Dr. Leon received her Ph.D. in Theatre Arts from Cornell University and a D.E.A. in Théâtre et arts du spectacle from the University of Paris. Her bachelor's degree in theatre is from the State University of New York, Empire State College.